Introduction
Ling-en Lu and Allysa B. Peyton
Part 1. The Feminine and the Goddess
Chapter 1. The Mandala of Marīcī: A Goddess of Chinese Buddhism, Tibetan Buddhism, and Daoism
Ling-en Lu
Chapter 2. Gender Roles in Bronze Age China: When and Why the Broom Inscription Became the Female Symbol
Junko Uchida
Part 2. Pioneers and Trailblazers
Chapter 3. Scribing Their Alphabets: Women Calligraphers in the Joseon Dynasty
Insoo Cho
Chapter 4. Promoting by Herself and Others: Luo Qilan (1756–after 1813) and Her Multiple Identities
Janet C. Chen
Chapter 5. China’s “First” Female Archaeologists: Rong Yuan, Zhou Yingxue, Zeng Zhaoyu, and Zheng Zhenxiang
Shana J. Brown
Chapter 6. Private Passion, Public Benefit: Brenda Zara Seligman and the Seligman Collection of Chinese Art
Nick Pearce
Chapter 7. Building Modern China: In the Vision of Lin Huiyin (1904–1955)
Wei-Cheng Lin
Part 3. Modern and Contemporary Makers
Chapter 8. Exploring a Moment of 超少女 (Chōshōjo): Japan’s Economic Bubble, Saison Culture, and New Women’s Art, 1986–1996
Midori Yamamura
Chapter 9. The Decorative, the Feminine, the Disruptive: Neo-Miniatures and the Satirical Paintings of Saira Wasim
Saleema Waraich
Chapter 10. Tseng Yuho: Painting Her Own Path
Sati Benes Chock
Chapter 11. The Razor’s Edge: Gender Politics and Structural Violence in the Work of Bangladeshi Artist Tayeba Begum Lipi
Melia Belli Bose
List of Contributors
Photograph Credits
Index