Reframing Media, Technology, and Culture in Latin/o America
Series Editor: Héctor Fernández L’Hoeste, Georgia State University
Reframing Media, Technology, and Culture in Latin/o America explores how Latin American and Latino audiovisual (film, television, digital), musical (radio, recordings, live performances, dancing), and graphic (comics, photography, advertising) cultural practices reframe and reconfigure social, economic, and political discourses at a local, national, and global level. In addition, it looks at how information networks reshape public and private policies, and the enactment of new identities in civil society. The series also covers how different technologies have allowed and continue to allow for the construction of new ethnic spaces. It not only contemplates the interaction between new and old technologies but also how the development of brand-new technologies redefines cultural production.
To submit a proposal for this series, email:
Héctor Fernández L’Hoeste – [email protected]
Sponsoring Editor, Stephanye Hunter – [email protected]
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Reggae en Español
Diasporic Cultural Production in Panama
Memory in Contemporary Cuban Film and Digital Media
Entangled Temporalities
The New Brazilian Mediascape
Television Production in the Digital Streaming Age
Periodicals in Latin America
Interdisciplinary Approaches to Serialized Print Culture
Digital Satire in Latin America
Online Video Humor as Hybrid Alternative Media
Tropical Time Machines
Science Fiction in the Contemporary Hispanic Caribbean
The Insubordination of Photography
Documentary Practices under Chile's Dictatorship
Cuba’s Digital Revolution
Citizen Innovation and State Policy
The Lost Cinema of Mexico
From Lucha Libre to Cine Familiar and Other Churros
Telling Migrant Stories
Latin American Diaspora in Documentary Film
Mestizo Modernity
Race, Technology, and the Body in Post-Revolutionary Mexico
Dissident Identities
Afro-Queer Caribbean Aesthetics

